Self-inspiration Saturday, Sep 30 2006 

If you want to see a well-done finished “Castle”, by Rebekah.

http://p203.ezboard.com/fteresawentzlerfrm21.showMessage?topicID=586.topic

As far as I can tell it’s on Aida, so respect also goes to the amount of work put for the quarter stitches. To admit, I still kinda like more how the empty parts of the background look on Aida than on smaller count fabrics, but this is my “order well visible” part. This finished piece is quite an inspiration for myself to move on.

On a side note, I ordered “Daffodils” DMC kit today. So starteth the “stash-acquiring” epoch. The kit must arrive after 2 weeks from France, after that I might order the next one in the list, but will keep to “one order per month or per two” rule. Discipline, people, discipline.

Rocks Friday, Sep 29 2006 

I’m quite behind with updating, but anyway, here goes.

I’ve heard some people complaining about this rocks but I don’t find them in any way difficult or boring. More difficult are the very tiny areas with only few 3/4 stitches of one color and then you have to change to another color for again only few 3/4.

I also don’t seem to have any problem with blended threads as my organization system makes them work just as ordinary threads. Makes me optimistic about all future TW’s *g* I was even able to work on CM a bit using the “generic thread box” where I can easily put away the Castle and pick CM. They’re two boxes in fact, but as long as they’re two and not more moving things around is still possible.

The weather is bad now and is raining heavily, but I wanted to visit the shop and order a DMC kit, one from the list of 4. Don’t know yet if I go today but perhaps tomorrow when there’s less rain (hopefully).

SBQ:

When you find yourself making a lot of mistakes in various stitching projects do you find it better to muddle your way through or do you take a brief break from stitching? If you do take a break, how long do you take?

I haven’t been doing “a lot” of mistakes recently and don’t plan to *g*. It was happening to me when I was a newbie to cross-stitching. But that also goes with chosing the right project for one’s current skill. In case I miscount I look if the error is major or not and where exactly on the design it is. If it’s on something like terrain, grass, rocks, then there’s no point to torture oneself with re-stitching, just move on. Most minor errors can be fixed with and even without frogging (was that the word?). I don’t lose my mood easily and correcting errors is yet another challenge and I see it as a part of the stitching process.

To put away some project would mean that I was disappointed with the project itself, not frustrated because of miscounting. To take a break means that I’m in no mood for stitching in general (or busy, as it happens most often). And do we ever remember that slight miscounting moments we had when the finished piece is long ago hanging on the wall? I do not.

“The Castle” start Saturday, Sep 23 2006 

*click for large scan*

 

This is my first “real” (and large) TW design. I just noticed how large it is after stitching this tail’s end. So far can’t say anything yet, except that the colors are superb… :) Difficulty-related, I needed some more concentration for the tiny ribbon. Miscounted, but it wasn’t something major and I left it the way it is. After that realized that the chart in the book I am working from is too small and miscounting happens mainly because of this. I scanned and printed the needed page enlarged and hope stitching will go more smoothly from now on.

These days I am very tired and have a lot of work, so am not much capable of expressing enthusiasm, although I certainly feel it.

On a side note, there’s something to say in response to this week’s SBQ:

How many pieces have you stitched?

25-28 so far, not counting petit-point designs. I intend to work mainly on “big” designs (both in terms of size and difficulty) so quantity is not to be expected to increase soon. Not that I mind. 

Out of these, how many have been for you?

About half of them. The other half - once I used to make presents to various people, mostly relatives. There were some unpleasant experiences with this. I gave around 5 of my works as a present to a very close relative whom I haven’t seen from a long time. I gave them as I thought they would be interested how my craft pursuits have developed because they enjoyed to see me sewing things as a child. They put all the stitched projects in a cardboard box and took the box away (probably under some couch) right after I gave them. Definitely not interested; I had to accept the notion that people change.

Another very direct relative received “Grapes and quilts”, but once when I went there I saw that the stitched thing has a huge stain on it. I asked what did they do and they said “ah, nothing” and that it will be washed easily. No one took the time to wash it since but it’s after all their business what they do with it. Still I prefer not to watch what becomes with my works after giving them away.

And I prefer to stitch for myself.

Also the occurrences are the reason I prefer to frame my finished pieces. If not framed, they’re best stored somewhere safe. That way it’s sure nothing will be stained, chewed, treated as cat-toy (worse, a kid toy) or similar.

How many have had specialty stitches or other techniques besides cross stitch?

80% of them have speciality stitches, most often the 3/4 stitch, some have lazy daisies and french knots. I’ve yet to take the challenge of other speciality stitches mainly met in TW designs.

Reviews Wednesday, Sep 20 2006 

I came home today with some more skeins of thread, fabric for the Castle and new DMC Catalogue 2006. The fabric will be again cream evenweave. They hadn’t anything like what I wrote before except some medium-brown linen that costs a fortune and which color doesn’t fit the design anyway. So I decided to not torture myself and pick my usual type of fabric. It will look good on it for sure. At some later point in time when there are sugar maple fabrics on sale I might try another TW design on them.

For now I am still preparing the blended threads. 33 in total. Well this is my first “big” TW design so now is the time to get surprised by various things :)

The DMC catalogue however brought turmoil in my mind, heh. I saw a few “big wants”, and usually when I “want” something then there’s a quite a reason ;) I almost fell in love with Britain-related theme, as this theme is generally my “cup of tea”. The designs that nailed my attention at instant have a kind of special scenery feel, something that I recognized and that has a value to me. At least it looked so from the photos.

(more…)

Threads organization Tuesday, Sep 19 2006 

Yesterday I for the first time thought of the advantage of kits vs charts: you just take it and start working on it, and when you get bored store it away and take another. That’s because I decided to (finally) try the new method of keeping *all* threads I have in one place while working on a project, taking out the color I need and then returning it back to the “number group”. “One place” didn’t worked out. They ended in two boxes, one large and one small and so this spoiled the intention. The speed with which I’d reach for and find a thread is related to the overal stitching speed. And having to open a second box is already spoiling it. But there’s no other way out. I did saw a storage rack similar to those in needlework shops. But it was 1. smaller than needed so it might not take all 400+ bobbins 2. horribly expensive for just a plastic box with drawers.

Anyway, hope for now the system will still work somehow. For TW projects I also left some space for keeping blended threads. I have to buy more threads for “The Castle” (20 skeins), and hope with this the “thread flow” will stop for a while

Artisan’s Ornament Sunday, Sep 17 2006 

I seem to be stitching with warp speed :lol: I am maybe subconsciously using this free time as intensively as possible; after a while this will be only a nostalgic memory and I’ll be back to a “more normal” slow progress.

But now, Artisan’s ornament.

I left the center empty as I like it better this way. I also replaced the pinks with purples. Aside of that, no more design alterations.  

On a side note, saw “The Castle” WIP, stitched on Sugar Maple fabric.(http://p203.ezboard.com/fteresawentzlerfrm21.showMessage?topicID=577.topic) I think this is a nice idea. Though I’d chose something a bit different (and less sparky); I browsed through the variants here, also comparing each with the photo of the design: http://www.sugarmaplefabrics.com 

A darker and not very “exposurable” fabric color seems to fit best, at least from the first glance…For example “Cauldron” or “Old and Elegant”. Any other suggestions? 

Of course this is only window shopping. I got the thought because there are some overdyed fabrics currently on sale in my LNS, but they’re far away from the choice one can have with sugar maple fabrics. I also don’t think there is currently any dark colored fabric available. Could try to dye it myself, but I am really not a specialist and not sure I want to go into this. Anyway, firstly I have to see which different fabric color/dyeing variety suits “The Castle” best and then I’ll know what exactly to look for at the time I’ll start working on it. Not all color variations fit this design, it should be something that matches it well. (just for reference: http://twdesignworks.com/Designs/cas_l.html )

some updates Saturday, Sep 16 2006 

Not much new, except that I started on the Artisan’s ornament. This week I had no time to go to the shop for light effect threads so I substituted very boldly here and there. Nothing interesting yet, only the proof of the start. I am planning to work on it tonight while watching an episode of “Poirot Mysteries”.

Something I noticed, I seem to not suffer from “itching to start new projects”. The opposite, I always feel a kind of hesitation. And when at least 15% of the project is done, this is a “border point” and from thereon stitching goes much faster and “unburdened”. That said, I enjoy working on CM a lot more because I already know what’s going on. Not a huge progress this week (someone is also too lazy to iron it) but the first page is done. 

(clickable)


Monday, Sep 11 2006 

I’m a cat nanny but still have an update once in a while here.

Found a freebie from Michael’s that fits my taste (the fact itself, “it fits her taste” is as rare as a comet falling on Earth).

Artisan Scroll Trinket Box

http://www.michaels.com/art/online/projectsheet?pid=e04435

I haven’t opened the pdf file yet as on this comp. the Adobe Reader has bad behavior. Will do that in the late evening. So far it’s interesting not only with the advanced design but also with the use of light effects threads. This means I’ll be shopping again soon *g* I was looking exactly for something like this, small and yet stylish enough so to be framed someday. I don’t plan to make any boxes.

Otherwise I’m working on CM, finally stitched to the top (the windows) and the design’s actual height became visible. No matter that I take some smalls to work on meanwhile, I discover that I like working huge designs, maybe like them most. Their size only is a kind of awe-inspiring. 

*g*

Cat doesn’t like the sound of typing and she must sleep. See ya all later… 

CM update and blackwork Tuesday, Sep 5 2006 

A lot of updates this time (and picture heavy)  ;)

Firstly CM - the Knight’s figure was finally finished.

 

This is a 100dpi scan, so suppose the white rayon is better visible here. Somehow scanning at higher resolution and then resizing the image makes the more delicate light effects be lost. So as less resizing as possible.

What I have now waiting for me is the (a bit boring) upper part - stone walls and windows.

Now something blackwork-related.

While I did blackwork that presents in some cross-stitch designs (like Grapes and Quilts), I won’t say to have wide experience in this type of needlework, as entirely separate from cross-stitch. It is a different type, and also has a different style and requires a different look at things. Blackwork by now was something supplemental for me, a way to ornament the main idea. Also I have a big adversion to “old-fashioned samplers” (don’t know how this style is called exactly), and if there’s something to remind me of them I rather turn my head away.

But blackwork of itself is different than that; as said it does require a different view on things, and this is something I’d like to try to achieve. As with any art and craft, a certain understanding is needed so to uncover the special (and valuable) content. I don’t know yet if I’ll like it, but firstly I have to try to uncover it for myself so to know.

I have that book, “A beginner’s guide to blackwork” by Lesley Wilkins. I needed to browse it many times to understand that the motifs given prompt the reader to compose a sampler of his own, and not just provide ready charts. I like samplers, only if they’re not of that other primitive kind; if not then I enjoy the sampler idea very much. It also took me a while to find out that most of the motifs in the completed pieces are provided, but separatedly. My eyes are not yet used to quickly distinguish between motifs.

I don’t want to work small separate ornaments because there’s no application for them. Having enough of such stored in between books, I prefer something medium-sized that could be later put into frame. Thing is, I’m also not much convinced if a blackwork sampler will look good when framed. It should be something advanced so to have an artistic value beyond the technical appreciation from people who do needlework. Also for me a sampler must have a central motif/idea which should be large enough, and it supplemented with borders, ornaments, alphabet. To make several rows of blackwork motifs and call it a sampler wouldn’t be precise. What I would do, is rather pick a large blackwork ornament for the center, and fill it in addition with cross-stitch, so to achieve an exposure. That wouldn’t be a pure blackwork style but rather a mix, but blackwork for me is and will probably remain supplemental. Not a matter of taste, as “taste” is something very irrelevant when it comes to art. In art there’s no “various tastes” but “various degrees of understanding”…

So all this blackwork, there’s a big chance that I myself might not like the result and the style. But also there’s a chance that I might and will most probably employ a lot of creativity so to achieve the “like” result. *g* I’ll keep everyone updated.

On a side note I bought some different threads today, with a thought that blackwork done with DMC cotton will not look good. Cotton threads, especially dark ones (one strand) are too thin - esp. black 310 if used primarily to do the design with. What I bought are very nice shiny threads of turkish origin. Here they’re mostly used for very fine crochet. “Polyester dantel ipliği”. Will see if they fit for blackwork; nonetheless it was a nice shopping time.

They look a bit like balls, heh. Someone’s in a mood for scanning.

And that’s all I got for today.

Knotwork card Monday, Sep 4 2006 

Here’s my freebie experiment. Small enough and easy to finish for a few hours during the evening.

Knotwork card by Dunmani designs

Since the color way in the chart was not much specified, here’s my color scheme: 

for “dark green” - 500

for “mid green” - 501/3362

for “light green” - 502/3363

for “dark yellow” - 729

for “mid yellow” - 676

for “light yellow” - 677

Backstitch: although indicated for “black” in the chart, I changed it to 780 for yellow areas of the knot and 934 for green areas.

I used 3/4 stitches where I think they’re due. Although in the chart instructions they’re not mentioned, they’re clearly seen on the chart itself.

Design changes:

I modified the inside of the border, replacing the previous combination with rows of “light green” (502/3363) and “mid yellow” (676).

I’ll be going back to working on CM, but might do some blackwork along the way. Depends on the mood…

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